Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
The “Place a Bid” button opens an email draft to us where you can fill in your bid. Absentee bids will be accepted through 5 p.m. EST on February 4, 2022, then the auction will be run live on LiveAuctioneers at 4 p.m. on February 5, 2022.
Mario Algaze: Buscando Justicia, Ciudad Guatemala
1996, selenium-toned silver print, signed, titled, and dated verso. Image size: 10.125"x10.125", sheet size: 14"x11" ($1,800–$2,800)
In 1954, at the behest of the United Fruit Company, the CIA under President Eisenhower overthrew the democratically elected government of Guatemalan President Jacobo Arbenz Guzman. Every month, the man in this picture went to the Palace of Justice to petition for the return of the land that had been in his family for generations but had been expropriated by the new government. When asked by Mario Algaze what he was doing there, he replied, “Looking for justice.”
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1996, selenium-toned silver print, signed, titled, and dated verso. Image size: 10.125"x10.125", sheet size: 14"x11" ($1,800–$2,800)
In 1954, at the behest of the United Fruit Company, the CIA under President Eisenhower overthrew the democratically elected government of Guatemalan President Jacobo Arbenz Guzman. Every month, the man in this picture went to the Palace of Justice to petition for the return of the land that had been in his family for generations but had been expropriated by the new government. When asked by Mario Algaze what he was doing there, he replied, “Looking for justice.”
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David Allison: Pennsylvania Project No. 27
2018, archival pigment print, signed, titled, dated, numbered recto and on mat. Image size: 12.875"x19.375", sheet size: 17"x23.375" ($250–$500)
Shown at the Atlantic Gallery in NYC.
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2018, archival pigment print, signed, titled, dated, numbered recto and on mat. Image size: 12.875"x19.375", sheet size: 17"x23.375" ($250–$500)
Shown at the Atlantic Gallery in NYC.
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Theo Anderson: Field — Near Hope, New Mexico, from COCA-COLA, the fourth episode and book from the ongoing work,CADILLAC
2007, archival pigment print, print embossed WILBUREDTIONS and signed and numbered on verso, WILBUREDITIONS / Allentown, limited to 11 copies with 3 artist proofs. Image size: 8"x12", sheet size: 13"x17" ($800–$1,600)
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2007, archival pigment print, print embossed WILBUREDTIONS and signed and numbered on verso, WILBUREDITIONS / Allentown, limited to 11 copies with 3 artist proofs. Image size: 8"x12", sheet size: 13"x17" ($800–$1,600)
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Gary Auerbach: Notre Dame de Paris
2002/2007, photogravure, signed recto. Image size: 12.5"x15.5", sheet size: 15.5"x19" ($400–$800)
Exhibited at Soho Photo Gallery, NY, 2008; negative used in photo polymer gravure on front cover of Royal Photographic Society Journal.
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2002/2007, photogravure, signed recto. Image size: 12.5"x15.5", sheet size: 15.5"x19" ($400–$800)
Exhibited at Soho Photo Gallery, NY, 2008; negative used in photo polymer gravure on front cover of Royal Photographic Society Journal.
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Bartlett & French: Wissahickon Creek at Valley Green (No. 54) and Falls on the Wissahickon (No. 33)
c. 1868, 2 albumen prints, printed titles on mounts verso. Image size: stereographs ($300–$600)
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c. 1868, 2 albumen prints, printed titles on mounts verso. Image size: stereographs ($300–$600)
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Gary Beeber: After Midnight
May 2021, archival pigment print, ed. 2/10, signed on certificate of authenticity. Image size: 8"x12", sheet size: ($900–$1,400)
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May 2021, archival pigment print, ed. 2/10, signed on certificate of authenticity. Image size: 8"x12", sheet size: ($900–$1,400)
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Sigismund Blumann: The Monongahela, Pittsburgh
1920s, pigment print (obviously not inkjet), signed and titled in pencil in bottom margin on recto. Image size: 11.0625"x8.25", sheet size: 13.75"x11" ($1,000–$1,500)
Sigismund Blumann (active 1900s–1930s) was a California Bay-area photographer active in the California Camera and Los Angeles Camera Clubs. He was also a fellow of the Royal Photographic Society in the UK. He was very interested in alternative processes, particularly bromoils. He was editor of Camera Craft from 1924 to 1933, his last issue being August 1933. He then started Photo Art in November 1933 and continued to publish it until 1940. In the 1930s, while editing Photo Art magazine, he established a print service department where readers could purchase salon prints for their own collections. He wrote, "There is no educational factor in art so potent as a collection of pictures." He wrote several books, including one called the Darkroom Notebook and was published numerous time in the American Annual of Photography from 1917 to 1927.
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1920s, pigment print (obviously not inkjet), signed and titled in pencil in bottom margin on recto. Image size: 11.0625"x8.25", sheet size: 13.75"x11" ($1,000–$1,500)
Sigismund Blumann (active 1900s–1930s) was a California Bay-area photographer active in the California Camera and Los Angeles Camera Clubs. He was also a fellow of the Royal Photographic Society in the UK. He was very interested in alternative processes, particularly bromoils. He was editor of Camera Craft from 1924 to 1933, his last issue being August 1933. He then started Photo Art in November 1933 and continued to publish it until 1940. In the 1930s, while editing Photo Art magazine, he established a print service department where readers could purchase salon prints for their own collections. He wrote, "There is no educational factor in art so potent as a collection of pictures." He wrote several books, including one called the Darkroom Notebook and was published numerous time in the American Annual of Photography from 1917 to 1927.
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Andrew Borowiec: Lorain, Ohio, from the ongoing series Ohio Blues
2021, archival pigment print, signed, titled, and dated verso. Image size: 6.625"x20", sheet size: 9"x22" ($1,200–$2,400)
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2021, archival pigment print, signed, titled, and dated verso. Image size: 6.625"x20", sheet size: 9"x22" ($1,200–$2,400)
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Édouard Boubat: Jardin du Luxembourg, Paris
1970s, silver print, photographer's stamp verso. Image size: 5.75"x8.5", sheet size: 7"x9.375" ($1,000–$1,500)
Édouard Boubat (Sept. 13, 1923, Paris, France – June 30, 1999, Paris) was a well-known French art photographer. Boubat worked as a photo engraver before he began taking photographs in 1946. He sought to make photographs that were a celebration of life. He worked as a freelance photojournalist on contract to the magazine "Réalités" in the 1950s and 1960s and traveled widely throughout his career. His work in the collections of numerous museums and institutions around the world.
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1970s, silver print, photographer's stamp verso. Image size: 5.75"x8.5", sheet size: 7"x9.375" ($1,000–$1,500)
Édouard Boubat (Sept. 13, 1923, Paris, France – June 30, 1999, Paris) was a well-known French art photographer. Boubat worked as a photo engraver before he began taking photographs in 1946. He sought to make photographs that were a celebration of life. He worked as a freelance photojournalist on contract to the magazine "Réalités" in the 1950s and 1960s and traveled widely throughout his career. His work in the collections of numerous museums and institutions around the world.
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Édouard Boubat: Mural, Paris
1960s, silver print, unmounted, photographer's stamp verso, photographer's stamp verso. Image size: 3.75"x5.75", sheet size: 3.875"x5.875" ($900–$1,500)
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1960s, silver print, unmounted, photographer's stamp verso, photographer's stamp verso. Image size: 3.75"x5.75", sheet size: 3.875"x5.875" ($900–$1,500)
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Stephan Brigidi: October, 1974, from the John Brown House Series #1
1974/1980, silver print, signed and titled verso. Image size: 14"x14", sheet size: 20"x16" ($1,200–$1,800)
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1974/1980, silver print, signed and titled verso. Image size: 14"x14", sheet size: 20"x16" ($1,200–$1,800)
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Charmaine Caire: The Honeymooners
2005/2021, archival pigment print, signed and titled verso. Image size: 8.25"x10.625", sheet size: 8.5"x10.5" ($150–$250)
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2005/2021, archival pigment print, signed and titled verso. Image size: 8.25"x10.625", sheet size: 8.5"x10.5" ($150–$250)
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John J. Carlano: Peacock in the Snow, Revisited
2007/2009, archival inkjet print, signed verso. Image size: 18"x12", sheet size: 19"x13" ($250–$500)
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2007/2009, archival inkjet print, signed verso. Image size: 18"x12", sheet size: 19"x13" ($250–$500)
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Paula Chamlee: San Giovanni d'Asso, Tuscany, 2001
2001, gelatin silver chloride contact print, signed on mat. Image size: 4.625"x6.625", sheet size: 13"x15" ($700–$1,400)
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2001, gelatin silver chloride contact print, signed on mat. Image size: 4.625"x6.625", sheet size: 13"x15" ($700–$1,400)
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Edward S. Curtis: The Mush-Basket—Karok, from The North American Indian, Volume 13
1923, photogravure. Image size: 7.375"x5.5", sheet size: 12.5"x9.5" ($200–$400)
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1923, photogravure. Image size: 7.375"x5.5", sheet size: 12.5"x9.5" ($200–$400)
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Gerald Cyrus: Philip Harper, Long Beach, CA
1987, silver print, signed, titled, and dated on mat. Image size: 13"x9", sheet size: 13"x11" ($800–$1,400)
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1987, silver print, signed, titled, and dated on mat. Image size: 13"x9", sheet size: 13"x11" ($800–$1,400)
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Sandra C. Davis: Mouth of Hell at Parco Die Mostri, ed. 2/5
2002/2003, palladium print, signed, dated, and numbered recto. Image size: 12.5"x15", sheet size: 15"x19" ($400–$700)
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2002/2003, palladium print, signed, dated, and numbered recto. Image size: 12.5"x15", sheet size: 15"x19" ($400–$700)
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Alexis Delcroix: Les Jeunes Pecheuses (Young Fisherwomen)
1934, silver print, signed and titled on mount, salon labels verso. Image size: 8.625"x11", sheet size: 9"x11.25" ($1,000–$2,000)
Alexis Delcroix was a Belgian amateur photographer. He was active from the 1930s until the 1950s in Brussels. He was an active member of the APB. He participated in a lot of international exhibitions. His work was also published in Photograms of the Year (1947, 1948, 1949, 1950, and 1951) and The American Annual of Photography 1949 and 1950.
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1934, silver print, signed and titled on mount, salon labels verso. Image size: 8.625"x11", sheet size: 9"x11.25" ($1,000–$2,000)
Alexis Delcroix was a Belgian amateur photographer. He was active from the 1930s until the 1950s in Brussels. He was an active member of the APB. He participated in a lot of international exhibitions. His work was also published in Photograms of the Year (1947, 1948, 1949, 1950, and 1951) and The American Annual of Photography 1949 and 1950.
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Alexis Delcroix: Les Jeunes Pecheuses (Young Fisherwomen) [back]
Candace Di Carlo: Infinity #3
1995, vintage silver print, ed. 2/18. Image size: 10"x10", sheet size: 14"x11" ($1,000–$1,500)
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1995, vintage silver print, ed. 2/18. Image size: 10"x10", sheet size: 14"x11" ($1,000–$1,500)
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Reed Estabrook: In God We Trust #20
1995/2001, archival pigment print, signed verso. Image size: 8.5"x11", sheet size: 8"x10.5" ($250–$500)
From the series Gifting Congress. Provenance: SF Camerawork.
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1995/2001, archival pigment print, signed verso. Image size: 8.5"x11", sheet size: 8"x10.5" ($250–$500)
From the series Gifting Congress. Provenance: SF Camerawork.
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