Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
The “Place a Bid” button opens an email draft to us where you can fill in your bid. Absentee bids will be accepted through 5 p.m. EST on January 20, 2023, then the auction will be run live on LiveAuctioneers at 1 p.m. on January 21, 2023.

Paula Chamlee: Jökulsárlón, Iceland
2006, gelatin silver chloride contact print, ed. 7/15, signed and dated recto; titled and numbered on verso of mount. Image size: 7.5 x 9.5, sheet size: 7.5 x 9.5 ($1,300–$2,600)
Published in Iceland: A Personal View (Lodima Press) and in solo museum exhibition.
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2006, gelatin silver chloride contact print, ed. 7/15, signed and dated recto; titled and numbered on verso of mount. Image size: 7.5 x 9.5, sheet size: 7.5 x 9.5 ($1,300–$2,600)
Published in Iceland: A Personal View (Lodima Press) and in solo museum exhibition.
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Jano Cohen: Samuel Teah Knocks Out Effron Cruz, 2017
4-29-17, archival pigment print, signed on verso. Image size: 12" x 18", sheet size: 13" x 19" ($150–$300)
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4-29-17, archival pigment print, signed on verso. Image size: 12" x 18", sheet size: 13" x 19" ($150–$300)
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Edward S. Curtis: Cooking Whale Blubber — Wichita
1915/1916, photogravure from The North American Indian, vol. 11. Image size: 5.5625" 7.5", sheet size: 9.5" x 12.375" ($200–$400)
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1915/1916, photogravure from The North American Indian, vol. 11. Image size: 5.5625" 7.5", sheet size: 9.5" x 12.375" ($200–$400)
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George C. Davis: Rajah Temple #195 Dramatic Order Knights of Khorassan, Roanoke, VA, member portrait
1920s?, vintage gelatin silver print, credit embossed on recto. Image size: 11.25" x 19.25", sheet size: 11.75" x 19.75" ($200–$300)
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1920s?, vintage gelatin silver print, credit embossed on recto. Image size: 11.25" x 19.25", sheet size: 11.75" x 19.75" ($200–$300)
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W. J. Day: Land & Sea
c. 1905, halftone. Image size: 3.875" x 5.625", sheet size: 11.5" x 8.25" ($100–$200)
From Art in Photography, 1905 edited by Charles Holme.
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c. 1905, halftone. Image size: 3.875" x 5.625", sheet size: 11.5" x 8.25" ($100–$200)
From Art in Photography, 1905 edited by Charles Holme.
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Tony Decaneas: Monastery of Stavronikitas, Mt. Athos, Greece
1990, vintage gelatin silver print, 54/100, signed, dated, titled, numbered on verso. Image size: 9.375" x 6.375", sheet size: 10" x 8" ($300–$600)
Edition was completely printed and sold. With Certificate of Authenticity.
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1990, vintage gelatin silver print, 54/100, signed, dated, titled, numbered on verso. Image size: 9.375" x 6.375", sheet size: 10" x 8" ($300–$600)
Edition was completely printed and sold. With Certificate of Authenticity.
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Nikolai Digg: Stallion, Moscow, Russia
1870s, albumen print, photographer's dry stamp on recto of print, and blue ink stamp on verso. Image size: 10.5" x 13.25", sheet size: 13.375" x 17.5" ($600–$1,250)
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1870s, albumen print, photographer's dry stamp on recto of print, and blue ink stamp on verso. Image size: 10.5" x 13.25", sheet size: 13.375" x 17.5" ($600–$1,250)
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Miguel Botella Donderis: Varando (Fishermen with Boat)
1930s, bromoil print, information, including title, photographer, type of print and photo club name, is in pencil on verso of mount. Image size: 11.75" x 15.625", sheet size: 11.75" x 15.625" ($1,000–$1,500)
Miguel Botella Donderis (Valencia, 1892–1968), obtained several national awards, and was treasurer, filing cabinet, and vice president of the Foto Club Valencia.
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1930s, bromoil print, information, including title, photographer, type of print and photo club name, is in pencil on verso of mount. Image size: 11.75" x 15.625", sheet size: 11.75" x 15.625" ($1,000–$1,500)
Miguel Botella Donderis (Valencia, 1892–1968), obtained several national awards, and was treasurer, filing cabinet, and vice president of the Foto Club Valencia.
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Edmund Eckstein: Philadelphia 1964
June 1, 1964/2000, silver print, ed. 3, signed, titled and numbered on verso. Image size: 15" x 10", sheet size: 16" x 12" ($300–$600)
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June 1, 1964/2000, silver print, ed. 3, signed, titled and numbered on verso. Image size: 15" x 10", sheet size: 16" x 12" ($300–$600)
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Alfred Eisenstaedt: Black African
1940s, silver print. Image size: 13.5" x 10.5", sheet size: 14" x 11" ($700–$1,000)
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1940s, silver print. Image size: 13.5" x 10.5", sheet size: 14" x 11" ($700–$1,000)
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Ron Evans: Passing Bikers, West Texas
1985/later, archival pigment print, open edition, signed, titled, dated on verso. Image size: 11" x 15", sheet size: 13" x 17.75" ($400–$800)
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1985/later, archival pigment print, open edition, signed, titled, dated on verso. Image size: 11" x 15", sheet size: 13" x 17.75" ($400–$800)
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Godfrey Frankel: New York, 238 W. 22nd St., grill work
1947/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 8" x 10" ($350–$700)
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1947/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 8" x 10" ($350–$700)
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Godfrey Frankel: Open Market, London, England
1978/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 10.5" x 11" ($350–$700)
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1978/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 10.5" x 11" ($350–$700)
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David Freese: Towboats Pushing Barges on the Mississippi
2018/2020, archival pigment print, AP, signed verso. Image size: 9.25" x 14", sheet size: 11" x 17" ($800–$1,200)
Published in Mississippi River: Headwaters and Heartland to Delta and Gulf.
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2018/2020, archival pigment print, AP, signed verso. Image size: 9.25" x 14", sheet size: 11" x 17" ($800–$1,200)
Published in Mississippi River: Headwaters and Heartland to Delta and Gulf.
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Hank Gans: Gabriel Lake Fall Colors
2007/2022, archival ink jet, signed on recto. Image size: 11.5" x 17.25", sheet size: 13" x 19" ($400–$800)
Winner: PDN Great Outdoors Competition. Exhibited Photoville 2013, Center for Fine Art Photography, Photoplace Gallery. Featured twice on Daniel Miller Gallery website.
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2007/2022, archival ink jet, signed on recto. Image size: 11.5" x 17.25", sheet size: 13" x 19" ($400–$800)
Winner: PDN Great Outdoors Competition. Exhibited Photoville 2013, Center for Fine Art Photography, Photoplace Gallery. Featured twice on Daniel Miller Gallery website.
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Gianni Berengo Gardin: Boats in Italian Landscape
1970s, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 15.875" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
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1970s, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 15.875" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
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Gianni Berengo Gardin: Farm Women Hoeing the Earth, Italy
1970s / c.2007, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 16" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
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1970s / c.2007, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 16" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
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Annarita Gentile: Sakura
spring 2016, archival pigment print, signed, titled, dated on recto and verso. Image size: 15" x 10", sheet size: 23.25" x 17.75" ($250–$500)
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spring 2016, archival pigment print, signed, titled, dated on recto and verso. Image size: 15" x 10", sheet size: 23.25" x 17.75" ($250–$500)
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Alvin Gilens: Sequoia at Dusk
2017, archival pigment print, signed verso. Image size: 13" x 19", sheet size: 13" x 19" ($400–$600)
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2017, archival pigment print, signed verso. Image size: 13" x 19", sheet size: 13" x 19" ($400–$600)
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Ann Ginsburgh Hofkin: CA_21_0754.i
2021, digital infrared archival pigment print, ed. 2/20, signed, titled, dated, numbered on verso. Image size: 12" x 18", sheet size: 17" x 22" ($600–$800)
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2021, digital infrared archival pigment print, ed. 2/20, signed, titled, dated, numbered on verso. Image size: 12" x 18", sheet size: 17" x 22" ($600–$800)
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Tom Goodman: Untitled (from Trolley series)
2020 / 2022, archival pigment print, ed. 10, signed, dated, and numbered on verso. Image size: 12" x 18", sheet size: 13" x 19" ($600–$1,200)
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2020 / 2022, archival pigment print, ed. 10, signed, dated, and numbered on verso. Image size: 12" x 18", sheet size: 13" x 19" ($600–$1,200)
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