Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
The “Place a Bid” button opens an email draft to us where you can fill in your bid. Absentee bids will be accepted through 5 p.m. EST on November 11, 2022, then the auction will be run live on LiveAuctioneers at 4 p.m. on November 12, 2022.
Alfred Eisenstaedt: Black African
1940s, silver print. Image size: 13.5" x 10.5", sheet size: 14" x 11" ($700–$1,000)
Place a Bid
1940s, silver print. Image size: 13.5" x 10.5", sheet size: 14" x 11" ($700–$1,000)
Place a Bid
Ron Evans: Passing Bikers, West Texas
1985/later, archival pigment print, open edition, signed, titled, dated on verso. Image size: 11" x 15", sheet size: 13" x 17.75" ($400–$800)
Place a Bid
1985/later, archival pigment print, open edition, signed, titled, dated on verso. Image size: 11" x 15", sheet size: 13" x 17.75" ($400–$800)
Place a Bid
Jed Fielding: Naples #709
1990, gelatin silver print, signed on frame backing. Image size: 18.5" x 27.5", sheet size: 24" x 30", framed 28" x 37" ($2,400–$4,200)
Reproduced in City of Secrets: Photographs of Naples by Jeb Fielding, Chicago: Museum of Contemporary Photography and New York: Tokarajima Books, 1997, plate 1.
Place a Bid
1990, gelatin silver print, signed on frame backing. Image size: 18.5" x 27.5", sheet size: 24" x 30", framed 28" x 37" ($2,400–$4,200)
Reproduced in City of Secrets: Photographs of Naples by Jeb Fielding, Chicago: Museum of Contemporary Photography and New York: Tokarajima Books, 1997, plate 1.
Place a Bid
Harvey Finkle: Pro Choice Rally, 1989
1989, archival pigment print, signed, dated on recto. Image size: 20" x 14", sheet size: 22" x 17" ($300–$600)
Place a Bid
1989, archival pigment print, signed, dated on recto. Image size: 20" x 14", sheet size: 22" x 17" ($300–$600)
Place a Bid
Godfrey Frankel: New York, 238 W. 22nd St., grill work
1947/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 8" x 10" ($350–$700)
Place a Bid
1947/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 8" x 10" ($350–$700)
Place a Bid
Godfrey Frankel: Open Market, London, England
1978/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 10.5" x 11" ($350–$700)
Place a Bid
1978/1990, silver print, signed, titled, dated on verso. Image size: 7.5" x 9.5", sheet size: 10.5" x 11" ($350–$700)
Place a Bid
David Freese: Towboats Pushing Barges on the Mississippi
2018/2020, archival pigment print, AP, signed verso. Image size: 9.25" x 14", sheet size: 11" x 17" ($800–$1,200)
Published in Mississippi River: Headwaters and Heartland to Delta and Gulf.
Place a Bid
2018/2020, archival pigment print, AP, signed verso. Image size: 9.25" x 14", sheet size: 11" x 17" ($800–$1,200)
Published in Mississippi River: Headwaters and Heartland to Delta and Gulf.
Place a Bid
Hank Gans: Gabriel Lake Fall Colors
2007/2022, archival ink jet, signed on recto. Image size: 11.5" x 17.25", sheet size: 13" x 19" ($400–$800)
Winner: PDN Great Outdoors Competition. Exhibited Photoville 2013, Center for Fine Art Photography, Photoplace Gallery. Featured twice on Daniel Miller Gallery website.
Place a Bid
2007/2022, archival ink jet, signed on recto. Image size: 11.5" x 17.25", sheet size: 13" x 19" ($400–$800)
Winner: PDN Great Outdoors Competition. Exhibited Photoville 2013, Center for Fine Art Photography, Photoplace Gallery. Featured twice on Daniel Miller Gallery website.
Place a Bid
Gianni Berengo Gardin: Boats in Italian Landscape
1970s, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 15.875" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
Place a Bid
1970s, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 15.875" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
Place a Bid
Gianni Berengo Gardin: Farm Women Hoeing the Earth, Italy
1970s / c.2007, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 16" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
Place a Bid
1970s / c.2007, silver print, photographer's ink stamp on the verso. Image size: 8.6875" x 12.9375", sheet size: 11.75" x 16" ($1,000–$1,500)
One of Italy's most acclaimed photojournalists, Gianni Berengo Gardin spent his childhood in Santa Maria Ligure, his adolescence in Rome, and his young adulthood in Switzerland, Paris, and Venice. His capacity for careful observation can be seen in images that have appeared in over 200 books and in numerous leading Italian and non-Italian illustrated magazines, including Domus, Epoca, L'Espresso, Time, Stern, Harper's, Réalités, Vogue, Le Figaro and many others. He has often been called the Henri Cartier-Bresson of Italy. His retrospective monograph, Gianni Berengo Gardin: Photographer, was published in 2005 and edited by Roberto Koch and Alessandra Mauro. Over 50 different exhibitions worldwide have celebrated his over 52 years of work and creativity. His photography has been shown at the New York Museum of Modern Art, the George Eastman House, and the Bibliothèque Nationale in Paris.
Place a Bid
Annarita Gentile: Sakura
spring 2016, archival pigment print, signed, titled, dated on recto and verso. Image size: 15" x 10", sheet size: 23.25" x 17.75" ($250–$500)
Place a Bid
spring 2016, archival pigment print, signed, titled, dated on recto and verso. Image size: 15" x 10", sheet size: 23.25" x 17.75" ($250–$500)
Place a Bid
Alvin Gilens: Sequoia at Dusk
2017, archival pigment print, signed verso. Image size: 13" x 19", sheet size: 13" x 19" ($400–$600)
Place a Bid
2017, archival pigment print, signed verso. Image size: 13" x 19", sheet size: 13" x 19" ($400–$600)
Place a Bid
Ann Ginsburgh Hofkin: CA_21_0754.i
2021, digital infrared archival pigment print, ed. 2/20, signed, titled, dated, numbered on verso. Image size: 12" x 18", sheet size: 17" x 22" ($600–$800)
Place a Bid
2021, digital infrared archival pigment print, ed. 2/20, signed, titled, dated, numbered on verso. Image size: 12" x 18", sheet size: 17" x 22" ($600–$800)
Place a Bid
Tom Goodman: Untitled (from Trolley series)
2020 / 2022, archival pigment print, ed. 10, signed, dated, and numbered on verso. Image size: 12" x 18", sheet size: 13" x 19" ($600–$1,200)
Place a Bid
2020 / 2022, archival pigment print, ed. 10, signed, dated, and numbered on verso. Image size: 12" x 18", sheet size: 13" x 19" ($600–$1,200)
Place a Bid
Arthur Grace: Robin Williams, with his pet lizard in his rental house in Malibu
1989/1990, gelatin silver print, titled and dated on verso. Image size: 10.25" x 10.5", sheet size: 14" x 11" ($400–$800)
Sold with Arthur Grace: Washington, DC
Arthur Grace is an American photojournalist, documentary photographer, and author whose work spanning fifty years in photography is noted for its in-depth focus on Americana.
Place a Bid
1989/1990, gelatin silver print, titled and dated on verso. Image size: 10.25" x 10.5", sheet size: 14" x 11" ($400–$800)
Sold with Arthur Grace: Washington, DC
Arthur Grace is an American photojournalist, documentary photographer, and author whose work spanning fifty years in photography is noted for its in-depth focus on Americana.
Place a Bid
Arthur Grace: Washington, D.C. 1993 [Bill Clinton Inauguration]
1993, gelatin silver print, signed, titled, dated and numbered on verso. Image size: 8.875" x 9", sheet size: 14" x 11"
Sold with Arthur Grace: Robin Williams
Arthur Grace is an American photojournalist, documentary photographer, and author whose work spanning fifty years in photography is noted for its in-depth focus on Americana.
1993, gelatin silver print, signed, titled, dated and numbered on verso. Image size: 8.875" x 9", sheet size: 14" x 11"
Sold with Arthur Grace: Robin Williams
Arthur Grace is an American photojournalist, documentary photographer, and author whose work spanning fifty years in photography is noted for its in-depth focus on Americana.
Antonin Gribovsky: Untitled (Caught in the Rain)
c. 1961, silver print, photographer's stamp on verso. 12th Singapore International Salon 1961 stamp on verso. Image size: 11.125" x 14.5", sheet size: 11.125" x 15" ($600–$1,250)
Antonin Gribovsky was born on June 29, 1933 in Brno Czechoslovakia. As a small boy Gribovsky was introduced to photography by the noted Czech photographer K.O. Hrub˛, who encouraged him to join the Brno photo club. He studied sculpture and woodcutting for a short time under Professor J. Vanek. He later worked as a mechanic engineer in the "Zbrojovka" Arms Factory in Brno. Then from 1961 to 1963, he became an industrial photographer in the machine works factory in Prerov.
He has been a freelance photographer since 1964, often working on architectural assignments. He joined the SCSVU in 1960 and the CFVU in 1977. Along with Slavoj Kovarík, Gribovsky was a founding member of the influential DOFO group in Olomouc, Czech Republic, whose aim, as writer Milan Kundera put it, was "to show in concrete objects the tangible visual magic of the real world." Other members of the group included: Václav Zykmund, Jaroslav Vávra, Vojtech Sapara and Vilém Reichmann.
He had created cycles (or series) of "optical poems" beginning at the end of the 1950s. By the beginning of the 1960s, he had started his experiments based on the technique of solarization. Both methods had existential hidden meanings for Gribovsky. He later made use of the same principals in his cycle "Interpretation" (of old Olomouc).
He specialized in industrial product photography in his last years.
Gribovsky won many photography prizes, including in 1960, Gold medal Frank Fraprie Memorial, Boston; 1961, Medal El Gaucho, Rosario, Argentina; 1964, Honorable mention UNESCO, Paris; 1966, Silver medal: North Moravian district in photography; 1966, Honorable mention for co-authoring the book ,30 Springs of Freedom,, Ostrava. Gribovsky authored ,Ostravsko Ve Fotografii. Ostrave, in 1972 and ,Olomoucko/Antonin Gribovsky, in 1977. He exhibited at the House of Art, Olomouc in 1960; Moscow International Exhibition of Art Photography in 1961; House of Men from Kun∫tát (Dum pánu z Kun∫tátu), Brno in 1962; Fotochema, Prague in 1962; Exhibition Hall in Ostrava in 1978; Astronomical Clock in Olomouc in 1988; and in Berlin in 1985.
There are images and information on Gribovsky in Birgus and Mlcoch, ,Czech Photography of the 20th Century: A Guide,, pp.89 and 91; ,The Encyclopedia of Czech and Slovak photographers, ASCO, Prague 1993; and the ,Lexicon of Czech and Slovak Visual Artists 1950–1998,, Chagall, Ostrava 1998. He is also listed in Auer & Auer's database. Gribovsky died in Olomouc on May 31, 1989.
Place a Bid
c. 1961, silver print, photographer's stamp on verso. 12th Singapore International Salon 1961 stamp on verso. Image size: 11.125" x 14.5", sheet size: 11.125" x 15" ($600–$1,250)
Antonin Gribovsky was born on June 29, 1933 in Brno Czechoslovakia. As a small boy Gribovsky was introduced to photography by the noted Czech photographer K.O. Hrub˛, who encouraged him to join the Brno photo club. He studied sculpture and woodcutting for a short time under Professor J. Vanek. He later worked as a mechanic engineer in the "Zbrojovka" Arms Factory in Brno. Then from 1961 to 1963, he became an industrial photographer in the machine works factory in Prerov.
He has been a freelance photographer since 1964, often working on architectural assignments. He joined the SCSVU in 1960 and the CFVU in 1977. Along with Slavoj Kovarík, Gribovsky was a founding member of the influential DOFO group in Olomouc, Czech Republic, whose aim, as writer Milan Kundera put it, was "to show in concrete objects the tangible visual magic of the real world." Other members of the group included: Václav Zykmund, Jaroslav Vávra, Vojtech Sapara and Vilém Reichmann.
He had created cycles (or series) of "optical poems" beginning at the end of the 1950s. By the beginning of the 1960s, he had started his experiments based on the technique of solarization. Both methods had existential hidden meanings for Gribovsky. He later made use of the same principals in his cycle "Interpretation" (of old Olomouc).
He specialized in industrial product photography in his last years.
Gribovsky won many photography prizes, including in 1960, Gold medal Frank Fraprie Memorial, Boston; 1961, Medal El Gaucho, Rosario, Argentina; 1964, Honorable mention UNESCO, Paris; 1966, Silver medal: North Moravian district in photography; 1966, Honorable mention for co-authoring the book ,30 Springs of Freedom,, Ostrava. Gribovsky authored ,Ostravsko Ve Fotografii. Ostrave, in 1972 and ,Olomoucko/Antonin Gribovsky, in 1977. He exhibited at the House of Art, Olomouc in 1960; Moscow International Exhibition of Art Photography in 1961; House of Men from Kun∫tát (Dum pánu z Kun∫tátu), Brno in 1962; Fotochema, Prague in 1962; Exhibition Hall in Ostrava in 1978; Astronomical Clock in Olomouc in 1988; and in Berlin in 1985.
There are images and information on Gribovsky in Birgus and Mlcoch, ,Czech Photography of the 20th Century: A Guide,, pp.89 and 91; ,The Encyclopedia of Czech and Slovak photographers, ASCO, Prague 1993; and the ,Lexicon of Czech and Slovak Visual Artists 1950–1998,, Chagall, Ostrava 1998. He is also listed in Auer & Auer's database. Gribovsky died in Olomouc on May 31, 1989.
Place a Bid
Margo L. Hamilton: 4:15
July 2009, archival pigment print, signed, titled, dated on verso. Image size: 9" x 14", sheet size: 13 " x 17.375" ($300–$600)
Place a Bid
July 2009, archival pigment print, signed, titled, dated on verso. Image size: 9" x 14", sheet size: 13 " x 17.375" ($300–$600)
Place a Bid
Paul Haviland: Mr. Christian Brinton
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.25" x 6.25", sheet size: 11" x 8" ($250–$500)
(Courtesy of Robert Mann Gallery)
Place a Bid
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.25" x 6.25", sheet size: 11" x 8" ($250–$500)
(Courtesy of Robert Mann Gallery)
Place a Bid
Paul Haviland: The Japanese Lantern
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.13" x 6.25", sheet size: 11" x 8" ($350–$700)
(Courtesy of Robert Mann Gallery)
Place a Bid
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.13" x 6.25", sheet size: 11" x 8" ($350–$700)
(Courtesy of Robert Mann Gallery)
Place a Bid
Paul Haviland: The Spanish Shawl
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.75" x 6.25", sheet size: 11" x 8" ($450–$900)
(Courtesy of Robert Mann Gallery)
Place a Bid
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.75" x 6.25", sheet size: 11" x 8" ($450–$900)
(Courtesy of Robert Mann Gallery)
Place a Bid
