Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
The “Place a Bid” button opens an email draft to us where you can fill in your bid. Absentee bids will be accepted through 5 p.m. EST on January 20, 2023, then the auction will be run live on LiveAuctioneers at 1 p.m. on January 21, 2023.
Arthur Grace: Washington, D.C. 1993 [Bill Clinton Inauguration]
1993, gelatin silver print, signed, titled, dated and numbered on verso. Image size: 8.875" x 9", sheet size: 14" x 11" ($200–$400)
Arthur Grace is an American photojournalist, documentary photographer, and author whose work spanning fifty years in photography is noted for its in-depth focus on Americana.
Place a Bid
1993, gelatin silver print, signed, titled, dated and numbered on verso. Image size: 8.875" x 9", sheet size: 14" x 11" ($200–$400)
Arthur Grace is an American photojournalist, documentary photographer, and author whose work spanning fifty years in photography is noted for its in-depth focus on Americana.
Place a Bid
Antonin Gribovsky: Untitled (Caught in the Rain)
c. 1961, silver print, photographer's stamp on verso. 12th Singapore International Salon 1961 stamp on verso. Image size: 11.125" x 14.5", sheet size: 11.125" x 15" ($600–$1,250)
Antonin Gribovsky was born on June 29, 1933 in Brno Czechoslovakia. As a small boy Gribovsky was introduced to photography by the noted Czech photographer K.O. Hrub˛, who encouraged him to join the Brno photo club. He studied sculpture and woodcutting for a short time under Professor J. Vanek. He later worked as a mechanic engineer in the "Zbrojovka" Arms Factory in Brno. Then from 1961 to 1963, he became an industrial photographer in the machine works factory in Prerov.
He has been a freelance photographer since 1964, often working on architectural assignments. He joined the SCSVU in 1960 and the CFVU in 1977. Along with Slavoj Kovarík, Gribovsky was a founding member of the influential DOFO group in Olomouc, Czech Republic, whose aim, as writer Milan Kundera put it, was "to show in concrete objects the tangible visual magic of the real world." Other members of the group included: Václav Zykmund, Jaroslav Vávra, Vojtech Sapara and Vilém Reichmann.
He had created cycles (or series) of "optical poems" beginning at the end of the 1950s. By the beginning of the 1960s, he had started his experiments based on the technique of solarization. Both methods had existential hidden meanings for Gribovsky. He later made use of the same principals in his cycle "Interpretation" (of old Olomouc).
He specialized in industrial product photography in his last years.
Gribovsky won many photography prizes, including in 1960, Gold medal Frank Fraprie Memorial, Boston; 1961, Medal El Gaucho, Rosario, Argentina; 1964, Honorable mention UNESCO, Paris; 1966, Silver medal: North Moravian district in photography; 1966, Honorable mention for co-authoring the book ,30 Springs of Freedom,, Ostrava. Gribovsky authored ,Ostravsko Ve Fotografii. Ostrave, in 1972 and ,Olomoucko/Antonin Gribovsky, in 1977. He exhibited at the House of Art, Olomouc in 1960; Moscow International Exhibition of Art Photography in 1961; House of Men from Kun∫tát (Dum pánu z Kun∫tátu), Brno in 1962; Fotochema, Prague in 1962; Exhibition Hall in Ostrava in 1978; Astronomical Clock in Olomouc in 1988; and in Berlin in 1985.
There are images and information on Gribovsky in Birgus and Mlcoch, ,Czech Photography of the 20th Century: A Guide,, pp.89 and 91; ,The Encyclopedia of Czech and Slovak photographers, ASCO, Prague 1993; and the ,Lexicon of Czech and Slovak Visual Artists 1950–1998,, Chagall, Ostrava 1998. He is also listed in Auer & Auer's database. Gribovsky died in Olomouc on May 31, 1989.
Place a Bid
c. 1961, silver print, photographer's stamp on verso. 12th Singapore International Salon 1961 stamp on verso. Image size: 11.125" x 14.5", sheet size: 11.125" x 15" ($600–$1,250)
Antonin Gribovsky was born on June 29, 1933 in Brno Czechoslovakia. As a small boy Gribovsky was introduced to photography by the noted Czech photographer K.O. Hrub˛, who encouraged him to join the Brno photo club. He studied sculpture and woodcutting for a short time under Professor J. Vanek. He later worked as a mechanic engineer in the "Zbrojovka" Arms Factory in Brno. Then from 1961 to 1963, he became an industrial photographer in the machine works factory in Prerov.
He has been a freelance photographer since 1964, often working on architectural assignments. He joined the SCSVU in 1960 and the CFVU in 1977. Along with Slavoj Kovarík, Gribovsky was a founding member of the influential DOFO group in Olomouc, Czech Republic, whose aim, as writer Milan Kundera put it, was "to show in concrete objects the tangible visual magic of the real world." Other members of the group included: Václav Zykmund, Jaroslav Vávra, Vojtech Sapara and Vilém Reichmann.
He had created cycles (or series) of "optical poems" beginning at the end of the 1950s. By the beginning of the 1960s, he had started his experiments based on the technique of solarization. Both methods had existential hidden meanings for Gribovsky. He later made use of the same principals in his cycle "Interpretation" (of old Olomouc).
He specialized in industrial product photography in his last years.
Gribovsky won many photography prizes, including in 1960, Gold medal Frank Fraprie Memorial, Boston; 1961, Medal El Gaucho, Rosario, Argentina; 1964, Honorable mention UNESCO, Paris; 1966, Silver medal: North Moravian district in photography; 1966, Honorable mention for co-authoring the book ,30 Springs of Freedom,, Ostrava. Gribovsky authored ,Ostravsko Ve Fotografii. Ostrave, in 1972 and ,Olomoucko/Antonin Gribovsky, in 1977. He exhibited at the House of Art, Olomouc in 1960; Moscow International Exhibition of Art Photography in 1961; House of Men from Kun∫tát (Dum pánu z Kun∫tátu), Brno in 1962; Fotochema, Prague in 1962; Exhibition Hall in Ostrava in 1978; Astronomical Clock in Olomouc in 1988; and in Berlin in 1985.
There are images and information on Gribovsky in Birgus and Mlcoch, ,Czech Photography of the 20th Century: A Guide,, pp.89 and 91; ,The Encyclopedia of Czech and Slovak photographers, ASCO, Prague 1993; and the ,Lexicon of Czech and Slovak Visual Artists 1950–1998,, Chagall, Ostrava 1998. He is also listed in Auer & Auer's database. Gribovsky died in Olomouc on May 31, 1989.
Place a Bid
Margo L. Hamilton: 4:15
July 2009, archival pigment print, signed, titled, dated on verso. Image size: 9" x 14", sheet size: 13 " x 17.375" ($300–$600)
Place a Bid
July 2009, archival pigment print, signed, titled, dated on verso. Image size: 9" x 14", sheet size: 13 " x 17.375" ($300–$600)
Place a Bid
Paul Haviland: Mr. Christian Brinton
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.25" x 6.25", sheet size: 11" x 8" ($250–$500)
(Courtesy of Robert Mann Gallery)
Place a Bid
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.25" x 6.25", sheet size: 11" x 8" ($250–$500)
(Courtesy of Robert Mann Gallery)
Place a Bid
Paul Haviland: The Japanese Lantern
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.13" x 6.25", sheet size: 11" x 8" ($350–$700)
(Courtesy of Robert Mann Gallery)
Place a Bid
1912, vintage photogravure from Camera Work, No. 39. Image size: 8.13" x 6.25", sheet size: 11" x 8" ($350–$700)
(Courtesy of Robert Mann Gallery)
Place a Bid
Petr Helbich: Trees in Moravian Forest
1983, silver print, unmounted, initialed and dated in pen on verso. Image size: 3.25" x 4.75", sheet size: 4.125" x 5.75" ($200–$400)
Helbich is a medical doctor who has been taking photographs since he was 20 years old. He became a close friend of Josef Sudek while he worked at the hospital in Jablunkov in Moravia. He then became Sudek's unofficial apprentice and continued to receive advice and critiques from Sudek. Sudek even gave him the large format camera that he works with. An even earlier influence was Rudolf Janda, who devoted his entire life to photographing the Moravian forests.
P. Tausk has written an article, “Petr Helbich—J. Sudek's Pupil, in Ceskoslovenska fotografie, 1986, p.10. Also see: Jaskmanicky, Fotografove—Photographers, for more information on Helbich.
Place a Bid
1983, silver print, unmounted, initialed and dated in pen on verso. Image size: 3.25" x 4.75", sheet size: 4.125" x 5.75" ($200–$400)
Helbich is a medical doctor who has been taking photographs since he was 20 years old. He became a close friend of Josef Sudek while he worked at the hospital in Jablunkov in Moravia. He then became Sudek's unofficial apprentice and continued to receive advice and critiques from Sudek. Sudek even gave him the large format camera that he works with. An even earlier influence was Rudolf Janda, who devoted his entire life to photographing the Moravian forests.
P. Tausk has written an article, “Petr Helbich—J. Sudek's Pupil, in Ceskoslovenska fotografie, 1986, p.10. Also see: Jaskmanicky, Fotografove—Photographers, for more information on Helbich.
Place a Bid
Walter E. Histed: Woman in hat
1905, platinum print. Image size: 5.875" x 4.25", sheet size: 7.25" x 4.375" ($400–$600)
Place a Bid
1905, platinum print. Image size: 5.875" x 4.25", sheet size: 7.25" x 4.375" ($400–$600)
Place a Bid
R. Andrew Hoff: Morning Shimmer, Saco Beach, Maine
July 5, 2020 / September 2020, archival pigment print, signed, titled, dated on recto. Image size: 12" x 13", sheet size: 13" x 19" ($200–$400)
Place a Bid
July 5, 2020 / September 2020, archival pigment print, signed, titled, dated on recto. Image size: 12" x 13", sheet size: 13" x 19" ($200–$400)
Place a Bid
R. Andrew Hoff: The Woman that Wears Cowboy Boots
07/29/2021 / September 2022, archival pigment print, signed, titled, dated on recto. Image size: 12" x 15", sheet size: 13" x 19" ($200–$400)
This image is part of the It's Not All Fun and Games exhibition. This photo is part of an ongoing project of photographing carnival workers. The project documents the loneliness of carnival workers and their social interactions with the public and the photographer.
Place a Bid
07/29/2021 / September 2022, archival pigment print, signed, titled, dated on recto. Image size: 12" x 15", sheet size: 13" x 19" ($200–$400)
This image is part of the It's Not All Fun and Games exhibition. This photo is part of an ongoing project of photographing carnival workers. The project documents the loneliness of carnival workers and their social interactions with the public and the photographer.
Place a Bid
Franz Holluber: Dorf Tugend (A Good Village)
1921, gum print, signature, title and date in pencil on recto of the mount at bottom of image. Signed, titled and "Weiner Photo-Klub" in pencil on verso of the mount. Image size: 7-13/16" x 11.125", sheet size: 9.375" x 12.25" ($1,000–$1,500)
Franz Holluber (1858–1942) was an Austrian Pictorialist.
Place a Bid
1921, gum print, signature, title and date in pencil on recto of the mount at bottom of image. Signed, titled and "Weiner Photo-Klub" in pencil on verso of the mount. Image size: 7-13/16" x 11.125", sheet size: 9.375" x 12.25" ($1,000–$1,500)
Franz Holluber (1858–1942) was an Austrian Pictorialist.
Place a Bid
Walter Holt: Walking Iris
2016/2022, archival pigment print, signed and titled on mat. Image size: 12" x 16.5", sheet size: 13" x 19" ($250–$500)
Place a Bid
2016/2022, archival pigment print, signed and titled on mat. Image size: 12" x 16.5", sheet size: 13" x 19" ($250–$500)
Place a Bid
Henry Horenstein: Smoky Giraffe
1995-2001/2022, archival pigment print, signed on verso. Image size: 12" x 18", sheet size: 17" x 22" ($700–$1,400)
In Animalia (1995-2001), published 2008.
Place a Bid
1995-2001/2022, archival pigment print, signed on verso. Image size: 12" x 18", sheet size: 17" x 22" ($700–$1,400)
In Animalia (1995-2001), published 2008.
Place a Bid
Horst P. Horst: Untitled [flowers in front of image with figures, attached to holiday card]
c. 1980, chromogenic print. Image size: 6.5" x 4.5", sheet size: 6.5" x 4.5" ($500–$700)
Place a Bid
c. 1980, chromogenic print. Image size: 6.5" x 4.5", sheet size: 6.5" x 4.5" ($500–$700)
Place a Bid
Horst P. Horst: Untitled [St. Basil's Cathedral, print attached to holiday card]
c. 1980, chromogenic print, signed recto. Image size: 5" x 3.25", sheet size: 6.75" x 4.75" ($500–$700)
Place a Bid
c. 1980, chromogenic print, signed recto. Image size: 5" x 3.25", sheet size: 6.75" x 4.75" ($500–$700)
Place a Bid
Ronny Jacques: Ghost Story
late 1940s, vintage silver print, signed "Photo by Ronny Jacques" in ink, titled and annotated "Ghost Story / bleed tone to edge" in pencil verso. Image size: 13.75" x 11", sheet size: mount 20" x 16" ($1,500–$2,000)
(Courtesy Paul M. Hertzmann, Inc.)
Place a Bid
late 1940s, vintage silver print, signed "Photo by Ronny Jacques" in ink, titled and annotated "Ghost Story / bleed tone to edge" in pencil verso. Image size: 13.75" x 11", sheet size: mount 20" x 16" ($1,500–$2,000)
(Courtesy Paul M. Hertzmann, Inc.)
Place a Bid
Richard Kagan: Asciano (Tuscany)
1992, silver print, ed. 3/25, signed, dated, and numbered on mount. Image size: 5.625" x 8.5", sheet size: 5.625" x 8.5" ($700–$1,400)
Place a Bid
1992, silver print, ed. 3/25, signed, dated, and numbered on mount. Image size: 5.625" x 8.5", sheet size: 5.625" x 8.5" ($700–$1,400)
Place a Bid
Addie Kaplan: This Could be Anywhere, But It's Not
12-20-2020, archival pigment print, signed, titled and dated on recto. Image size: 11" x 17", sheet size: 13" x 19" ($200–$400)
Place a Bid
12-20-2020, archival pigment print, signed, titled and dated on recto. Image size: 11" x 17", sheet size: 13" x 19" ($200–$400)
Place a Bid
Thomas Kellner: Stoenweg, Faus der Serie:Fachwerkhäuser des Siegener Industriegebietes heute, van Thomas Kellner
2022, archival pigment, ed. 30+3 AP, signed, titled, dated and numbered on recto. Image size: 9" x 7", sheet size: 11" x 9" ($200–$300)
The print comes with the second edition of Architektenkammer Nordrhein-Westfalen, ed. 2022 Thomas Kellner - Fachwerkhäuuser Des Siegener Industriegebietes, Heut. 250th ed. Berlin: Seltmann Publishers.
Place a Bid
2022, archival pigment, ed. 30+3 AP, signed, titled, dated and numbered on recto. Image size: 9" x 7", sheet size: 11" x 9" ($200–$300)
The print comes with the second edition of Architektenkammer Nordrhein-Westfalen, ed. 2022 Thomas Kellner - Fachwerkhäuuser Des Siegener Industriegebietes, Heut. 250th ed. Berlin: Seltmann Publishers.
Place a Bid
Kay Kenny: Stone Goddess #15
2019, archival pigment print montage, ed. 10, signed recto. Image size: 10" x 10", sheet size: 14" x 14" ($200–$400)
Place a Bid
2019, archival pigment print montage, ed. 10, signed recto. Image size: 10" x 10", sheet size: 14" x 14" ($200–$400)
Place a Bid
Richard K. Kent: HC Rd, Sign #11, 6X Going (Ghost Iteration), from the series "Lessons in Recursion"
6/20/2022 / 7/17/2022, archival pigment print, ed. 2/15 (this print size), signed, titled, dated, numbered on verso. Image size: 16" x 20", sheet size: 17" x 22" ($800–$1,600)
The image, from an edition in letter size, was included in the solo exhibition Layered Time: Photographs, Lancaster Galleries, August 11 – September 3, 2022 (lancastergalleries.com/artists/richard-k-kent).
Place a Bid
6/20/2022 / 7/17/2022, archival pigment print, ed. 2/15 (this print size), signed, titled, dated, numbered on verso. Image size: 16" x 20", sheet size: 17" x 22" ($800–$1,600)
The image, from an edition in letter size, was included in the solo exhibition Layered Time: Photographs, Lancaster Galleries, August 11 – September 3, 2022 (lancastergalleries.com/artists/richard-k-kent).
Place a Bid
Keystone: U.S. Marines Battle Against Fierce Enemy Resistance on Iwo Jima
1945, vintage gelatin silver print, titled on verso. Image size: 5.625" x 7.75", sheet size: 6" x 8" ($150–$300)
Place a Bid
1945, vintage gelatin silver print, titled on verso. Image size: 5.625" x 7.75", sheet size: 6" x 8" ($150–$300)
Place a Bid
