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Jacques-Henri Lartigue: Huguette Sabouret au Château des Essarts, Veyvialle, France
1942, silver print. Image size: 4.25"x3.125", sheet size: 4.625"x3.375" ($2,500–$4,000)
Some of these images of Huguette Sabouret are published in two books on Lartigue. According to the family, Huguette, who was born in 1918, was the love child of Lartigue and Marie Sabouret. Hugette and her husband are buried in the Lartigue family vault in the Trocadero cemetery. Vintage Lartigue images are very rare, because he donated his personal collection to the French state, and most of these are probably unique in private hands.
Provenance: Huguette Sabouret; her niece, Anne de La Baume.
See: Ainslie Ellis, Jacques-Henri Lartigue: Les Femmes, p.60, for another image from this shoot.
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1942, silver print. Image size: 4.25"x3.125", sheet size: 4.625"x3.375" ($2,500–$4,000)
Some of these images of Huguette Sabouret are published in two books on Lartigue. According to the family, Huguette, who was born in 1918, was the love child of Lartigue and Marie Sabouret. Hugette and her husband are buried in the Lartigue family vault in the Trocadero cemetery. Vintage Lartigue images are very rare, because he donated his personal collection to the French state, and most of these are probably unique in private hands.
Provenance: Huguette Sabouret; her niece, Anne de La Baume.
See: Ainslie Ellis, Jacques-Henri Lartigue: Les Femmes, p.60, for another image from this shoot.
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Brian Lav: Tree & Benches in Fog, Glen Gardener, NJ
2002, archival pigment print, signed, titled, dated, and numbered verso. Image size: 10"x15", sheet size: 13"x19" ($400–$600)
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2002, archival pigment print, signed, titled, dated, and numbered verso. Image size: 10"x15", sheet size: 13"x19" ($400–$600)
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Barbara E. Leven: House in the Woods
2013/2019, archival pigment print, ed. 2/10, signed, titled, dated, and numbered recto; signed, titled, and dated verso. Image size: 11"x16.5", sheet size: 13"x19" ($800–$1,200)
Exhibited in Glimpses of Our World, sponsored by professional Women Photographers at the Salmagundi Club, New York City, 2019; and in Empty Places: Abandoned Spaces at Praxis Photo Arts in Minneapolis from January 16–31, 2021.
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2013/2019, archival pigment print, ed. 2/10, signed, titled, dated, and numbered recto; signed, titled, and dated verso. Image size: 11"x16.5", sheet size: 13"x19" ($800–$1,200)
Exhibited in Glimpses of Our World, sponsored by professional Women Photographers at the Salmagundi Club, New York City, 2019; and in Empty Places: Abandoned Spaces at Praxis Photo Arts in Minneapolis from January 16–31, 2021.
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John Loengard: Henry Moore Sculptures
1983/later, silver print, signed and dated verso. Image size: 12.125"x18.25", sheet size: 16"x20" ($1,500–$2,000)
Provenance: Leica Gallery.
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1983/later, silver print, signed and dated verso. Image size: 12.125"x18.25", sheet size: 16"x20" ($1,500–$2,000)
Provenance: Leica Gallery.
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Martha Madigan: Fire/Air
2011, offset lithograph with metallic ink, ed. 60, signed, titled, dated, and numbered recto. Image size: 23.875"x18", sheet size: 28.375"x20.5" ($400–$800)
Published by the Borowsky Center for Publication Arts, University of the Arts.
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2011, offset lithograph with metallic ink, ed. 60, signed, titled, dated, and numbered recto. Image size: 23.875"x18", sheet size: 28.375"x20.5" ($400–$800)
Published by the Borowsky Center for Publication Arts, University of the Arts.
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Leo Matiz: Frida Kahlo, Coyoacan, Mexico
1944/later, archival pigment print, stamped verso. Image size: 14"x11", sheet size: 22"x17" ($3,000–$6,000)
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1944/later, archival pigment print, stamped verso. Image size: 14"x11", sheet size: 22"x17" ($3,000–$6,000)
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Cynthia Matthews: Catherine’s Child
1975/2021, archival pigment print, ed. #1. Image size: 12"x9.5", sheet size: 14"x11" ($350–$700)
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1975/2021, archival pigment print, ed. #1. Image size: 12"x9.5", sheet size: 14"x11" ($350–$700)
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Ian McFarland: Amy #2
1997, silver print, ed. 4/20, signed, titled, dated, and numbered verso. Image size: 10"x10", sheet size: 11"x14" ($200–$400)
Provenance: Artist
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1997, silver print, ed. 4/20, signed, titled, dated, and numbered verso. Image size: 10"x10", sheet size: 11"x14" ($200–$400)
Provenance: Artist
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Joel Meyerowitz: Vivian, Cape Cod
1976, chromogenic print. Image size: 15.375"x19.875", sheet size: 16"x20" ($2,500–$4,000)
The vintage print may have shifted color somewhat; however, the one auction record for the image shows a print of the same tonality, perhaps a little lighter, and it is considerably smaller in size.
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1976, chromogenic print. Image size: 15.375"x19.875", sheet size: 16"x20" ($2,500–$4,000)
The vintage print may have shifted color somewhat; however, the one auction record for the image shows a print of the same tonality, perhaps a little lighter, and it is considerably smaller in size.
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Duane Michals: Ludmilla Tchérina
1964, silver print, ed. 7/25, signed, titled, and numbered recto. Image size: 6.3125"x9.875", sheet size: 8"x10" ($5,000–$7,000)
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1964, silver print, ed. 7/25, signed, titled, and numbered recto. Image size: 6.3125"x9.875", sheet size: 8"x10" ($5,000–$7,000)
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Andrea Modica: Fountain, Colorado
2005, platinum/palladium print, signed, titled, dated, and numbered recto. Image size: 9.75"x7.75", sheet size: 14"x11" ($3,500–$4,500)
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2005, platinum/palladium print, signed, titled, dated, and numbered recto. Image size: 9.75"x7.75", sheet size: 14"x11" ($3,500–$4,500)
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Dave Moser: Curtis, Philadelphia, PA, #0506
2017, archival pigment print, AP 1/2, ed. 9, signed verso. Image size: 16"x21.75", sheet size: 17"x22.25" ($350–$700)
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2017, archival pigment print, AP 1/2, ed. 9, signed verso. Image size: 16"x21.75", sheet size: 17"x22.25" ($350–$700)
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NASA: Lunar Lander
c. 1970s, chromogenic print. Image size: 7.75"x9.5", sheet size: 14"x11" ($300–$600)
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c. 1970s, chromogenic print. Image size: 7.75"x9.5", sheet size: 14"x11" ($300–$600)
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Enrico Natali: Grant Park Stairs and Pigeon, Chicago
1963, silver print. Image size: 4.5"x6.75", sheet size: 4.5"x6.75" ($1,200–$1,600)
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1963, silver print. Image size: 4.5"x6.75", sheet size: 4.5"x6.75" ($1,200–$1,600)
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Carlo Naya: Cattedra Vescavile
c. 1908, albumen print, printed name and title in negative at bottom margin. Image size: 9.5"x7.375", sheet size: 9.75"x7.375" ($800–$1,200)
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c. 1908, albumen print, printed name and title in negative at bottom margin. Image size: 9.5"x7.375", sheet size: 9.75"x7.375" ($800–$1,200)
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Ben Nixon/Steven Brown: To the Wheatlight of June (Photographs by Ben Nixon, Poems by Steven Brown, Introduction by John Wood
2012, 10 silver gelatin photographs matted 16"x20"; 13"x10" letterpress book illustrated with 10 platinum prints, ed. 50. Image size: , sheet size: ($4,000–$6,000)
To the Wheatlight of June brings together the brilliance of Harvard poet Steven Brown with the work of Ben Nixon who printed silver-gelatin prints of another world. Ben uses difficult traditional processes. His silver gelatin prints are hand printed from wet-collodion negatives and then toned with tea. Paste papers, another even older tradition, are patterned or textured papers, often made by applying paint with brushes or handmade tools, and are an integral part of 21st Editions productions. The emphasis on the paste papers in this case extends from the book itself to the ingeniously design portfolio case that doubles as a display stand. This book and portfolio set broke new ground for 21st both in presentation and execution. See https://www.21steditions.com/artists#/ben-nixon.
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2012, 10 silver gelatin photographs matted 16"x20"; 13"x10" letterpress book illustrated with 10 platinum prints, ed. 50. Image size: , sheet size: ($4,000–$6,000)
To the Wheatlight of June brings together the brilliance of Harvard poet Steven Brown with the work of Ben Nixon who printed silver-gelatin prints of another world. Ben uses difficult traditional processes. His silver gelatin prints are hand printed from wet-collodion negatives and then toned with tea. Paste papers, another even older tradition, are patterned or textured papers, often made by applying paint with brushes or handmade tools, and are an integral part of 21st Editions productions. The emphasis on the paste papers in this case extends from the book itself to the ingeniously design portfolio case that doubles as a display stand. This book and portfolio set broke new ground for 21st both in presentation and execution. See https://www.21steditions.com/artists#/ben-nixon.
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Dorothy Norman: An American Place, Equivalent and A. S. Hand
1934/later, silver print, mounted, signed in ink and with the photographer's "Original by Dorothy Norman" stamp on the reverse. Image size: 3.75"x2.75", sheet size: 3.75"x2.75" ($800–$1,600)
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1934/later, silver print, mounted, signed in ink and with the photographer's "Original by Dorothy Norman" stamp on the reverse. Image size: 3.75"x2.75", sheet size: 3.75"x2.75" ($800–$1,600)
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Sonya Noskowiak: Hand
1937, vintage silver print, signed and dated on mount. Image size: 2.75"x3.75", sheet size: 2.75"x3.75" on mount 10"x8" ($1,200–$2,200)
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1937, vintage silver print, signed and dated on mount. Image size: 2.75"x3.75", sheet size: 2.75"x3.75" on mount 10"x8" ($1,200–$2,200)
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Josef Pesci: Nude
c. 1922, photogravure, signed, dated, and editioned recto. Image size: 5.25"x7", sheet size: 9.5"x11.5" ($1,000–$1,500)
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c. 1922, photogravure, signed, dated, and editioned recto. Image size: 5.25"x7", sheet size: 9.5"x11.5" ($1,000–$1,500)
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Sylvia Plachy: Gorilla Mother and Baby
2003, silver print. Image size: 12.5"x8.375", sheet size: 14"x11" ($750–$1,500)
Sylvia Plachy was a star photographer for the Village Voice for over 25 years. Her photographs have also appeared in the New Yorker, Grand Street, New York Times Magazine, Fortune, and ArtForum.
Her first book, Unguided Tour, published by Aperture, won the 1990 ICP Infinity Award for best publication. Additional books to her credit include Red Light, a book about the sex industry; Signs and Relics; and most recently a personal history of Eastern Europe, Self-Portrait with Cows Going Home. Plachy's photographs are in the collections of the Museum of Modern Art, the San Francisco Museum of Modern Art, the George Eastman House, and the Minneapolis Institute of Art, among many others. She has had solo exhibits in NYC, Chicago, Philadelphia, Budapest, Berlin, Paris, Tokyo, Vancouver.
Sylvia is the recipient of the John Simon Memorial Guggenheim Fellowship. Born in Budapest in 1943, Plachy currently lives and works in NYC. Richard Avedon wrote of Sylvia Plachy: "She makes me laugh and she breaks my heart. She is moral. She is everything a photographer should be".
Inscribed on the verso in pencil: "To Ted & Carolyn and the children. With good wishes and love, Sylvia Plachy 2003."
Provenance: Estate of Ted Harwell, former curator of the Minneapolis Institute of Arts.
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2003, silver print. Image size: 12.5"x8.375", sheet size: 14"x11" ($750–$1,500)
Sylvia Plachy was a star photographer for the Village Voice for over 25 years. Her photographs have also appeared in the New Yorker, Grand Street, New York Times Magazine, Fortune, and ArtForum.
Her first book, Unguided Tour, published by Aperture, won the 1990 ICP Infinity Award for best publication. Additional books to her credit include Red Light, a book about the sex industry; Signs and Relics; and most recently a personal history of Eastern Europe, Self-Portrait with Cows Going Home. Plachy's photographs are in the collections of the Museum of Modern Art, the San Francisco Museum of Modern Art, the George Eastman House, and the Minneapolis Institute of Art, among many others. She has had solo exhibits in NYC, Chicago, Philadelphia, Budapest, Berlin, Paris, Tokyo, Vancouver.
Sylvia is the recipient of the John Simon Memorial Guggenheim Fellowship. Born in Budapest in 1943, Plachy currently lives and works in NYC. Richard Avedon wrote of Sylvia Plachy: "She makes me laugh and she breaks my heart. She is moral. She is everything a photographer should be".
Inscribed on the verso in pencil: "To Ted & Carolyn and the children. With good wishes and love, Sylvia Plachy 2003."
Provenance: Estate of Ted Harwell, former curator of the Minneapolis Institute of Arts.
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Thomas Porett: Braylee
2019, archival pigment print, signed and dated recto. Image size: 7.3"x12.4", sheet size: 13"x19" ($500–$800)
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2019, archival pigment print, signed and dated recto. Image size: 7.3"x12.4", sheet size: 13"x19" ($500–$800)
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