Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
The “Place a Bid” button opens an email draft to us where you can fill in your bid. Absentee bids will be accepted through 5 p.m. EST on January 20, 2023, then the auction will be run live on LiveAuctioneers at 1 p.m. on January 21, 2023.
Ronnie Sacco: Big Sister
1992, toned silver print, signed and dated verso. Image size: 10" x 10", sheet size: 11" x 14" ($350–$600)
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1992, toned silver print, signed and dated verso. Image size: 10" x 10", sheet size: 11" x 14" ($350–$600)
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Ronnie Sacco: Camp Show
1992, toned silver print, signed and dated verso. Image size: 14.5" x 14.5", sheet size: 16" x 20" ($350–$600)
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1992, toned silver print, signed and dated verso. Image size: 14.5" x 14.5", sheet size: 16" x 20" ($350–$600)
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Laurence Salzmann: Mr. Thau's Funeral, from “The Last Jews of Radauti”
1974–76, vintage silver print, framed, signed recto. Image size: 7.25" x 11", sheet size: framed 16" x 20" ($2,000–$3,000)
Born and raised in Philadelphia, Laurence Salzmann has been a photographer and filmmaker since the early 1960s. After studying film in Paris, Salzmann attended Temple University, where he completed a BA in German Literature (1965) and an MA in Anthropology (1971). His photographic work is deeply informed by his background in anthropology and in many of his long-term projects he documents the lives of little known ethnic or social groups, both in the United States and abroad.
In 1974 Salzmann traveled to Romania on a Fulbright grant and for the next two years he lived in the town of Radauti in the Bukovina region. During this time he photographed the members of the town's dwindling Jewish community and documented their cultural practices and vanishing way of life. 8000 Jews lived in the town in 1930, but their community was uprooted and largely wiped out by the Holocaust. Salzmann notes, "Six thousand Romanian Jews perished during World War II; some died in concentration camps in Transnistria, but most did not survive the initial hardships of deportation. At the end of the war, a few returned, only to find their homes gone and the life they had known swept away." When he himself arrived in Radauti in 1974 there were only 240 Jews remaining among the town's population of 22,000, many of them part of an older generation. In 1983 Salzmann's photographs were published as a book, The Last Jews of Radauti. He also made a complementary film, which was broadcast nationally on PBS.
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1974–76, vintage silver print, framed, signed recto. Image size: 7.25" x 11", sheet size: framed 16" x 20" ($2,000–$3,000)
Born and raised in Philadelphia, Laurence Salzmann has been a photographer and filmmaker since the early 1960s. After studying film in Paris, Salzmann attended Temple University, where he completed a BA in German Literature (1965) and an MA in Anthropology (1971). His photographic work is deeply informed by his background in anthropology and in many of his long-term projects he documents the lives of little known ethnic or social groups, both in the United States and abroad.
In 1974 Salzmann traveled to Romania on a Fulbright grant and for the next two years he lived in the town of Radauti in the Bukovina region. During this time he photographed the members of the town's dwindling Jewish community and documented their cultural practices and vanishing way of life. 8000 Jews lived in the town in 1930, but their community was uprooted and largely wiped out by the Holocaust. Salzmann notes, "Six thousand Romanian Jews perished during World War II; some died in concentration camps in Transnistria, but most did not survive the initial hardships of deportation. At the end of the war, a few returned, only to find their homes gone and the life they had known swept away." When he himself arrived in Radauti in 1974 there were only 240 Jews remaining among the town's population of 22,000, many of them part of an older generation. In 1983 Salzmann's photographs were published as a book, The Last Jews of Radauti. He also made a complementary film, which was broadcast nationally on PBS.
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Michelle Sank: Mindu Hornick, 94 years old – Auschwitz Survivor with her daughter Nicola
May 13, 2021, archival pigment print, signed verso. Image size: 20" x 24", sheet size: 26" x 30" ($600–$900)
Exhibited in Generations: Portraits of Holocaust Survivors, Imperial War Museum, London/ Royal Photographic Society, Bristol, UK/ Unesco Headquarters (all 2021).
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May 13, 2021, archival pigment print, signed verso. Image size: 20" x 24", sheet size: 26" x 30" ($600–$900)
Exhibited in Generations: Portraits of Holocaust Survivors, Imperial War Museum, London/ Royal Photographic Society, Bristol, UK/ Unesco Headquarters (all 2021).
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Tazio Secchiaroli: Sophia Loren and Carlo Ponti(?) in front of her villa
c. 1964, silver print, unmounted. Image size: 2.125" x 3.125", sheet size: 3" x 3.25" ($200–$400)
View taken from above looking down on the actress sitting on the edge of a fountain. She drapes herself attentively against what appears to be Carlo Ponti, her husband. "Archivo 07 Secchiaroli" stamped on verso. Contact proof numbers in margin.
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c. 1964, silver print, unmounted. Image size: 2.125" x 3.125", sheet size: 3" x 3.25" ($200–$400)
View taken from above looking down on the actress sitting on the edge of a fountain. She drapes herself attentively against what appears to be Carlo Ponti, her husband. "Archivo 07 Secchiaroli" stamped on verso. Contact proof numbers in margin.
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Vincent Serbin: Final Fugue
1979, vintage silver print, signed, titled, and dated recto. Image size: 13.75" x 9.5", sheet size: 14.75" x 10.5" ($500–$800)
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1979, vintage silver print, signed, titled, and dated recto. Image size: 13.75" x 9.5", sheet size: 14.75" x 10.5" ($500–$800)
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John Singletary: Jawbone
2008, silver print, signed, titled, dated, and numbered verso. Image size: 4" x 5", sheet size: 8" x 10" ($200–$400)
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2008, silver print, signed, titled, dated, and numbered verso. Image size: 4" x 5", sheet size: 8" x 10" ($200–$400)
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W. L. H. Skeen & Co.: Overhanging Rock, Colombo to Kandy Railway
1870s/1880s, albumen print, on original mount. Image size: 9" x 11", sheet size: 15.625" x 19" ($250–$500)
Exceptional landscape coupled with the locomotive make for an interesting image. Nice print.
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1870s/1880s, albumen print, on original mount. Image size: 9" x 11", sheet size: 15.625" x 19" ($250–$500)
Exceptional landscape coupled with the locomotive make for an interesting image. Nice print.
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John Slavin: Route 66, Kingman, AZ
1998/2021, archival pigment print from Kodachrome slide, titled and dated on verso. Image size: 10.5" x 16.5", sheet size: 13" x 19" ($150–$300)
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1998/2021, archival pigment print from Kodachrome slide, titled and dated on verso. Image size: 10.5" x 16.5", sheet size: 13" x 19" ($150–$300)
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Lance Speer: St. Eusteche, Paris, France
c. 2007, platinum print, signed open edition not numbered, 50 or fewer. Image size: 3.625” x 5.875”, sheet size: 11” x 14” ($300–$400)
Published by 21st Editions.
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c. 2007, platinum print, signed open edition not numbered, 50 or fewer. Image size: 3.625” x 5.875”, sheet size: 11” x 14” ($300–$400)
Published by 21st Editions.
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H. L. Standley: The Ponderosa Pine, Colorado, Pike's Peak in the Far Distance
c. 1920s, toned silver print, photographer's stamp, title, and other notations verso. Image size: 11" x 14", sheet size: 11" x 14" ($600–$1,200)
Standley's work is in the collection of the Colorado Springs Pioneers Museum and the Autry Museum of the American West. Standley (1881–1951) worked as an outdoor photographer, concentrating on Colorado scenery. He operated a photography business in Colorado Springs for over 40 years.
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c. 1920s, toned silver print, photographer's stamp, title, and other notations verso. Image size: 11" x 14", sheet size: 11" x 14" ($600–$1,200)
Standley's work is in the collection of the Colorado Springs Pioneers Museum and the Autry Museum of the American West. Standley (1881–1951) worked as an outdoor photographer, concentrating on Colorado scenery. He operated a photography business in Colorado Springs for over 40 years.
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Tamara Staples: Sentimental Journey #8
c. 2010, archival pigment print, signed on verso. Image size: 3.625" x 4.75", sheet size: 3.625" x 4.75" ($250–$500)
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c. 2010, archival pigment print, signed on verso. Image size: 3.625" x 4.75", sheet size: 3.625" x 4.75" ($250–$500)
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Sasha or Cami Stone: Female Nude (Marie Louise Lebeau)
c. 1933, silver print, photographer's Brussels stamp and other notations on verso. Image size: 5.0625" x 6.75", sheet size: 5-1/16" x 6.75" ($750–$1,250)
Sasha Stone was born Aleksander Serge Steinsapir in St. Petersburg in 1895 of Jewish parents. In Germany, where Stone became a photographer, he belonged to the circle around the important artistic periodical "G". He lived and worked in Europe and America between the wars and is best known for his portraits, nude studies, photographs of Berlin and for his photojournalism.
Both his and his wife Cami's photographs were published in German photography annual Das Deutsche Lichtbild. He and his wife fled Germany in 1932.
His nude work appeared in Les Femmes, which was published by Editions Arts et Metiers Graphiques, Paris, in 1933. His nudes are usually in poses that are quite modernist in sensibility and the lighting emphasizes the sculptural shapes and angles of the women. Stone and his wife Cami moved to Brussels in 1932. The studio was located at 18 rue de Naples until the German invasion of Belgium in 1940. He died that year at the hands of the Nazis.
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c. 1933, silver print, photographer's Brussels stamp and other notations on verso. Image size: 5.0625" x 6.75", sheet size: 5-1/16" x 6.75" ($750–$1,250)
Sasha Stone was born Aleksander Serge Steinsapir in St. Petersburg in 1895 of Jewish parents. In Germany, where Stone became a photographer, he belonged to the circle around the important artistic periodical "G". He lived and worked in Europe and America between the wars and is best known for his portraits, nude studies, photographs of Berlin and for his photojournalism.
Both his and his wife Cami's photographs were published in German photography annual Das Deutsche Lichtbild. He and his wife fled Germany in 1932.
His nude work appeared in Les Femmes, which was published by Editions Arts et Metiers Graphiques, Paris, in 1933. His nudes are usually in poses that are quite modernist in sensibility and the lighting emphasizes the sculptural shapes and angles of the women. Stone and his wife Cami moved to Brussels in 1932. The studio was located at 18 rue de Naples until the German invasion of Belgium in 1940. He died that year at the hands of the Nazis.
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Sasha or Cami Stone: Female Nude (Bella Meierson)
1932, silver print, photographer's Brussels stamp and other notations, including the model's name and date (Nov. 1932), on verso. Image size: 6.5" x 4.625", sheet size: 6.5" x 4.625" ($750–$1,250)
Sasha Stone was born Aleksander Serge Steinsapir in St. Petersburg in 1895 of Jewish parents. In Germany, where Stone became a photographer, he belonged to the circle around the important artistic periodical "G". He lived and worked in Europe and America between the wars and is best known for his portraits, nude studies, photographs of Berlin and for his photojournalism.
Both his and his wife Cami's photographs were published in German photography annual Das Deutsche Lichtbild. He and his wife fled Germany in 1932.
His nude work appeared in Les Femmes, which was published by Editions Arts et Metiers Graphiques, Paris, in 1933. His nudes are usually in poses that are quite modernist in sensibility and the lighting emphasizes the sculptural shapes and angles of the women. Stone and his wife Cami moved to Brussels in 1932. The studio was located at 18 rue de Naples until the German invasion of Belgium in 1940. He died that year at the hands of the Nazis.
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1932, silver print, photographer's Brussels stamp and other notations, including the model's name and date (Nov. 1932), on verso. Image size: 6.5" x 4.625", sheet size: 6.5" x 4.625" ($750–$1,250)
Sasha Stone was born Aleksander Serge Steinsapir in St. Petersburg in 1895 of Jewish parents. In Germany, where Stone became a photographer, he belonged to the circle around the important artistic periodical "G". He lived and worked in Europe and America between the wars and is best known for his portraits, nude studies, photographs of Berlin and for his photojournalism.
Both his and his wife Cami's photographs were published in German photography annual Das Deutsche Lichtbild. He and his wife fled Germany in 1932.
His nude work appeared in Les Femmes, which was published by Editions Arts et Metiers Graphiques, Paris, in 1933. His nudes are usually in poses that are quite modernist in sensibility and the lighting emphasizes the sculptural shapes and angles of the women. Stone and his wife Cami moved to Brussels in 1932. The studio was located at 18 rue de Naples until the German invasion of Belgium in 1940. He died that year at the hands of the Nazis.
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Blaise Tobia: Double Negative from Slight Perturbations of the Surface series
2022, archival pigment print, signed, titled, and dated verso. Image size: 18" x 14", sheet size: 22" x 17" ($500–$800)
www.blaisetobia.com/slight-perturbations
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2022, archival pigment print, signed, titled, and dated verso. Image size: 18" x 14", sheet size: 22" x 17" ($500–$800)
www.blaisetobia.com/slight-perturbations
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Daniel Traub: Man Reading, East Beijing, China, 2006
2006, archival pigment print, ed. 2/6, signed and numbered on verso. Image size: 15" x 19", sheet size: 24" x 20" ($1,200–$2,400)
Exhibited as part of the solo exhibition City's Edge at Catherine Edelman Gallery, Chicago, IL, July 18 – August 29, 2008.
Published in The New York Times Magazine article, "The Newest Mandarins," December 16, 2007, pg. 34.
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2006, archival pigment print, ed. 2/6, signed and numbered on verso. Image size: 15" x 19", sheet size: 24" x 20" ($1,200–$2,400)
Exhibited as part of the solo exhibition City's Edge at Catherine Edelman Gallery, Chicago, IL, July 18 – August 29, 2008.
Published in The New York Times Magazine article, "The Newest Mandarins," December 16, 2007, pg. 34.
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Jerry Uelsmann: Knowledge Is Good
1978, vintage silver print, signed, titled, and dated verso. Image size: 9" x 7.125", sheet size: 14" x 11" ($1,000–$2,000)
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1978, vintage silver print, signed, titled, and dated verso. Image size: 9" x 7.125", sheet size: 14" x 11" ($1,000–$2,000)
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Jerry Uelsmann: Knowledge Is Good verso
Unknown: Fountains at Versailles
c. 1860, albumen print, on original mount. Image size: 7.5" x 10.25", sheet size: 12.5" x 16.25" mount sheet ($350–$700)
This appears to be a very early and rare view of the fountains at Versailles. A beautiful and haunting image in a fine print. Originally a part of an album with at least one Charles Marville image. There is a Charles Soulier image that is virtually identical.
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c. 1860, albumen print, on original mount. Image size: 7.5" x 10.25", sheet size: 12.5" x 16.25" mount sheet ($350–$700)
This appears to be a very early and rare view of the fountains at Versailles. A beautiful and haunting image in a fine print. Originally a part of an album with at least one Charles Marville image. There is a Charles Soulier image that is virtually identical.
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Unknown: Swinging Kiss for Daddy [JFK and John John]
c. 1963, gelatin silver print. Image size: 6.75" x 5.5", sheet size: 8" x 5.75" ($150–$250)
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c. 1963, gelatin silver print. Image size: 6.75" x 5.5", sheet size: 8" x 5.75" ($150–$250)
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Unknown: Rudolph Valentino in "Blood and Sand"
1922, silver print, titled and dated on mount recto mat. Image size: 7.5" x 6.375", sheet size: 11" x 9" board ($150–$250)
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1922, silver print, titled and dated on mount recto mat. Image size: 7.5" x 6.375", sheet size: 11" x 9" board ($150–$250)
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